Edition of Holopanoragrammes
and Holographic Communication

The Projector in Luminary allows the edition of Holopanoragrammes cultural and interior decoration starting from objects varied on many topics for the creation of collections.
Holopanoragrammes can easily be changed, as easily as a disc on a record player, in order to allow the discovery of new exceptional objects with the possibility of seeing evolving their relief in all the horizontal, vertical and oblique directions of observation, while turning around and while entering inside.

While in holographic communication with the Kiosk à images, of the exceptional objects “transformed into light” in which one can pass the hand through, can henceforth appear with most realism in the pedestrian spaces very attended in urban environment, apart from usual protected spaces conceived to receive these remarkable objects directly, such as museums, art galleries, let us salt, amusement parks and other windows.
The flexible support of Holopanoragramme of an easy and easily transportable positioning of Projector out of Projector, has the advantage of having the lightness of a poster while offering the gravitational visual richness of a window, thanks to its immaterial space holographic, at the same time virtual and real on both sides of the support.
The reading of this “poster-window” correctly positioned with breast height like a window (H, for face) is not limited to the reading of a flat image as a simple poster (A), because it gets the vision of a window where can express the totality of the creative potential.
Indeed thanks to the great angle of Holopanoragramme, the observer with freedom to discover the profiles of the real image of an object “hologénique”, as well as the hidden parts in-depth of the panoramic virtual image around the object, while leaning through the large opening.




At the time of its exploratory movement being able to last several minutes following its rhythm, the visual entirety of Holopanoragramme (H, for top, then for side) makes it possible to present to him at each one from its positions or point of view (e.g.: green squares), of new information starting from its large opening, by posting the message in all its plenitude for its valorization and its maximum memorizing; the observer not being thus limited by a short “effect 3D” lack accessibility and reduced mobility, contrary a holographic stereogram carried out starting from a number limited of photographs or intermediate synthesized images because of constraints of space (xyz) and time (t) to the recording.
More the observer approaches this “Holographic Urban Window” with true relief and with space-time high definition, more sensational is its vision, because the apparent evolution of the relief is then more dynamic for the same amplitude and the same speed of sound exploratory movement.

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